Through her practice she investigates social connection: how we form identities through intimacy, inheritance, location and violence. I think ‘The Japanese Moko’ was my boldest attempt to blend. I’m really interested in what you mean by ‘force of nature’. I was inspired by the bingo memes I saw all over the internet that related common experiences to each other, it seemed like a way to confess certain behaviours or feelings without making yourself isolated or vulnerable. Change ). Vanessa Crofskey is a Chinese/European artist whose practice spans the boundaries of installation, poetry and performance. Chris to Vanessa: The poem PTSD memes for the anxious / avoidant teen: I find the grid form quite innovative. This poem was published in the latest issue of Starling (Starling 10). Which poem were you most surprised by, in terms of what you wrote or gained insight around? Kiwi Asian women poets have strong opinions. She advocates for complex trauma survivors and those with attention deficit disorder, plus is very funny and knows a lot about what snacks to eat. Reading this, I am hoping there is a book in the making. Sorry, your blog cannot share posts by email. They are a staff writer at The Pantograph Punch, have a collection of poems out in AUP New Poets 6, and often write about the water. I am hard pressed to think of a poet who has evoked birth, fatherhood, parenthood, so beautifully. This poetry is witty, vulnerable, challenging, complicated …. He credits the late Taupo-based Māori writer and mentor Rowley Habib with helping him tap into poetry and original writing in his twenties. Home About ART WRITING INTERVIEWS THE BIG IDEA Challenge It All In Your Artistic Practice ... POETRY SHELF AUP New Poets Six. Once the words come out, I’m quite detached from them in the editing process; I just want to make them ‘work’ as a piece of writing, and sometimes that involves ‘deleting’ those lines and phrases that I may feel the most connected to – you’ve got to be a bit detached from the ‘forces of nature’ if you’re going to ‘kill your babies’ so to speak. being both Maori and Pakeha. She has a degree in Sculpture that she mostly spent performing and writing poetry. Anna Jackson’s lithe introduction (which I read after reading the poems as is my habit) confirms her role as an astute and surefooted editor of this series, with her fine eye for poetry that holds and satisfies attention regardless of the world that bombards. I will often draw humanity in with affection, then in the next line, throw it away in disgust. She is interested in the space of contemporary language as an object of violent imposition, as well as a tool for intentional resistance. Sorry, your blog cannot share posts by email. I think it is a lot about the phonetic beauty of language and how they interact with English when placed alongside each other. I explored Japanese film, theatre and literature for a number of years, and began to explore ways to fuse. Vanessa to Chris: I am interested in how the domestic unfolds into the astronomical in your writing. I do feel comfortable using a more relaxed style of punctuation because it opens bits of a poem more to interpretation – I don’t think my grammar is casual, though. Each poem starts off with the phrase “I am”, working through whatever ‘I’ decides to be on that page. Miles Davis claimed that the most important notes were the ones you don’t play. Glorious, simply glorious. I think I wanted to make my process of retraction and deletion visible, to show the process that occurs prior to a surface feeling smooth. I am reminded of how language shapes us as much as we shape the languages we use. Vanessa Crofskey began writing when she was struggling with mental health at 15. Known for being both “introspective” and “on fire”, her performance salon debut at the Auckland Fringe Festival […] There is love and there are longings. Yes. This is a collection of poems that deserves a party so thank you to Paula Green for organising this poetry party on Poetry Shelf, and thank you to Time Out Bookstore who would have been hosting an actual launch with people actually at it, if we weren’t all now in lock-down. Food is a sensory experience, the transition from material, to the tongue, to chemicals in the brain, to emotion is mind-blowing to me. Post was not sent - check your email addresses! The well was filled with embers, breathing smoke. Is that a mood / atmosphere thing? 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